Detlef Schweiger (Germany), Synchrodogs (Kyiv), Matthias Jackisch (Germany), Rostyslav Koterlin (Ivano-Frankivs’k), Stefan Voigt (Germany), Ihor Pereklita (Halych), Vj group Cube (Ivano-Frankivs’k), Janak Kouzel (Belorus\Germany), Yevhen Sambors’kyy (Kyiv), Holger Wendland (Germany), Stef Fridael (The Netherlands), Mariëlle van Deursen (The Netherlands), Luk Sponselee (The Netherlands), Maksim Hartwig (Russia\Germany), Taka Kagitomi (Japan\Germany), Dmytro Petryna (Ivano-Frankivs’k), Petro Ryaska (Uzhhorod), Mayke Verhoeven (Netherlands), Yuriy Borynets’ (Nadvirna), Ruslan Tremba (Uzhhorod), Serhiy Hryhoryan (Ivano-Frankivs’k), Werner Klompen (The Netherlands), Ol’ha Kukush (Ivano-Frankivs’k), Petro Buyak (Ivano-Frankivs’k), Nikita Schmitz (Germany).
The “open port” of art, into which will Frankivsk turn in a middle of June, everyone can visit. That’s why it is called open. Therefore everyone will have the opportunity to become a guest or a participant. We will show and talk about everything. The visual part will include interpenetration moment – in the exhibition will take part works that will be presented in a month at the Biennale «Ostrale» in Dresden under the slogan Re_form. Reform can be interpreted as «re-» and «form», i.e. shape change, the content change or essence of something.
Works of artists from Germany, Holland, Russia, Romania, Georgia, Japan, Belarus and Ukraine will create original confrontations. Artistic. About politics, way of life, money, beauty and deformity, about memory, history and design coming, about what a modern person lives by and what failing her.
In the modern world it began usual not to know history, not to remember the past, or originally to interpret events that were preceded to present time. Town’s history bashfully forgot partially the founders of city from the sort of Pototskykh – today small that testifies to their stay in the once built fortress. The complex of building “Pototskykh Place” rather reminds unsuccessful parody on palazzo, especially since a combat hospital was here situated. Territory of a complex is now closed for free access, building does not look closely, collapse, fall into a decay, and part of territory is exploited under a parking place. Emptiness of oblivion was filled by the sea. Frankivsk seceded from Stanislaviv a sea and grew into a port. Ethics is transferable into aesthetics.
The festival is not only a holiday, which is always with you, but also a platform for the formation of today’s issues as well as the eternal, place matching aesthetics catalyst forming ideologies and myths. Try this.
Andriy Sahaydakovs’kyy (Lviv), Serhiy Bratkov (Russia), Lia Gulua (Georgia\Austria), Oleksa Furdiyak (Lviv), Taras Polatayko (Chernivtsi), Yuriy Izdryk (Kalush), Serhiy Petlyuk (Lviv), Oleh Voronko (Lviv), Dmytro Petryna (Ivano-Frankivs’k), Marєyana Hlyns’ka (Ivano-Frankivs’k), Ihor Panchyshyn (Ivano-Frankivs’k), Vsevolod Bazhaluk (Ivano-Frankivs’k), Yuriy Bakay (Ivano-Frankivs’k), Bob Square Pic (Ivano-Frankivs’k), Kostyantyn Zorkin & Sandro Haribashvili (Kharkiv), Yaroslav Yanovs’kyy (Ivano-Frankivs’k), Vadym Kharabaruk (Uzhhorod), Natalka Shevchenko (Uzhhorod), Khrystyna Pyshch (Ivano-Frankivs’k), Olena Siyatovs’ka (Dnipro), Hamed Jaberha (Iran), Oleh Kostyuk (Russia), Myroslav Korol’ (Kyiv), Mykola Dzhychka (Ivano-Frankivs’k), Volodymyr Topiy (Lviv), Volodymyr Mulyk (Ivano-Frankivs’k), Max Hartwig (Germany), Oleh Kostyuk (Russia).